In 1971 art historian Linda Nochlin wrote:
"In the field of art history, the white Western male viewpoint, unconsciously accepted as the viewpoint of the art historian, may--and does--prove to be inadequate not merely on moral and ethical grounds, or because it is elitist, but on purely intellectual ones. In revealing the failure of much academic art history, and a great deal of history in general, to take account of the unacknowledged value system, the very presence of an intruding subject in historical investigation, the feminist critique at the same time lays bare its conceptual smugness, its meta-historical naivete. At a moment when all disciplines are becoming more self-conscious, more aware of the nature of their presuppositions as exhibited in the very languages and structures of the various fields of scholarship, such uncritical acceptance of "what is" as "natural" may be intellectually fatal."
Louise Bourgeois The Blind Leading the Blind , 1947-1949
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